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SHORT FILM SCRIPT

April 25, 2018

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Martha Hay Film Script First Draft from Alleyn's School Film Studies Department

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SHOT LIST

SHOT LIST Here is my shot this that I was able to follow on my filming locations. Having this enabled me to create precisely the look I sought after. It was a great asset when filming on location at the supermarket because we weren't able to be there for a long time, and this enabled me to be as efficient and organised as possible. This is my working shot list. I have recently practiced my whip pan that will be used frequently in my film.

ECHO

ECHO ECHO from Lewis Arnold on Vimeo . Echo, based on a true events, tells the story of 17-year-old schoolgirl Caroline. The film is directed by Lewis Arnold and written by James Walker. The film follows Caroline and her struggle towards accepting her father's death. Arnold edited and shot the film in a way so the audience can be objective at the beginning to completely subjective at the end of the film. The cold colour tones within the film set the chilling atmosphere. Most of the city centre shots within the film were taken with a long lens, this allowed improvisation and real people helping Caroline to make the scenes more authentic.

OVER

OVER OVER from Jorn Threlfall on Vimeo . Jörn Threlfall's film Over tells the tragic story of a man who fell to his death from an airplane after hiding in the aircrafts wheel-weep. The story is told in reverse chronological order, similar to Gaspar Noé's Irréversible, to allow the audience to piece the story together . The film is told through simple static shots, with no dialogue, just diabetic sounds. This simplicity allows the audience to focus on the story more. The film begins a pan down the street at night to show the empty steet, followed by a car pulling in at 7:45pm and a couple walk into their house unbeknownst to the death of the man that day. I think the reason Threfall edited the film this way was to show how the man was forgotten and how he is buried in an unmarked grave 4000 miles from his home, and how the satin went away within 24 hours. The three pictures below are all from different points in the film but are all positioned the same. This allows

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SHORT FILM SCRIPT

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